Matt is on cover of BHL Magazine, in its Summer issue. You can grab your digital copy via Issuu, or subscribe. The pictures used was part of the Todd Snyder Fall campaign, and you can find it in high quality in our gallery as well.
Matt is gracing the cover of Modern Luxury / Angeleno’s October issue. The magazine is already out, and the beautiful photoshoot was made by Brian Bowen Smith. Check scans in our gallery.
The Last Tycoon is featured on the latest issue of TV Guide – now on stands. Check digital scans added in our gallery.
Matt Bomer enbraces role as 1930s Jewish producer in F. Scott Fitzgerald novella.
By Frazier Moore to Toronto Star
When he landed the lead in The Last Tycoon, Matt Bomer had never read the timeless F. Scott Fitzgerald novella on which the series is based. But by chance, he had just finished an other celebrated novel set in 1930s Hollywood, Nathanael West’s The Day of the Locust.
“I was contemplating the themes both books deal with: How do you mantain your artistry in such a commercial industry as the movies – and can you? And I was thinking about how much Hollywood has changed since that time period. And how little has really changed.”
Before long, Bomer would be poring over Fitzgerald’s prose to prepare for his Last Tycoon portrayal.
Matt Bomer is gracing the cover of OUT – The Pride Issue, out this May 1st. On this interview, he talks to Girls’ Andrew Rannells about his days as a soap opera hustler, growing up in the Bible Belt and life before (and after) coming out.
Scans will be uploaded asap. Check below the interview.
There’s a nice symmetry in casting a gay actor from Texas to play a different kind of Hollywood outsider, as the producers of Amazon’s The Last Tycoon have done with Matt Bomer, the former White Collar star who also won a Golden Globe in 2015 for his performance as Felix Turner in Ryan Murphy’s HBO adaptation of Larry Kramer’s The Normal Heart.
This time Bomer plays Monroe Stahr, a self-invented Jewish director in the mold of Irving Thalberg, one of early Tinseltown’s great producers. Loosely based on F. Scott Fitzgerald’s unfinished novel of the same name, The Last Tycoon is written and directed by Billy Ray, best known for his work as a screenwriter for crowd-pleasers such as The Hunger Games, though he also directed the critically acclaimed 2003 movie Shattered Glass, about the fraudulent and discredited journalist Stephen Glass. For his first long-form drama series, Ray has not skimped on period detail, and the production is achingly stylish and sumptuously lit. But it also promises to evolve over the course of its nine-episode season into a compelling creation myth of modern-day Hollywood.
Bomer, who started his career in theater, recently sat down with his old friend Andrew Rannells (Girls) to open up about Tycoon, the coming-out process, and his crazy stint as a soap star.
Long before he broke hearts as a lovably devilish ladies’ man on USA’s White Collar or shed 40 pounds for a Golden Globe–winning role as an AIDS victim in HBO’s The Normal Heart—and certainly before he gyrated alongside Channing Tatum in the Magic Mike films or played a vampire on FX’s American Horror Story: Hotel—Matt Bomer was a Texas high schooler valiantly defying any and all stereotypes of what it meant to be a man.
Was he a handsome jock or a shape-shifting thespian? A gun-toting good ol’ boy who’d been hunting since he was 8 or a gay man coming of age in one of America’s reddest states?
Well, turns out he was all of them—at least, as long as his schedule allowed it.
“Unfortunately, my senior year I left the football team because I got a play at the Alley Theater in Houston,” says the 38-year-old Bomer, who still looks back fondly on his days as a wide receiver and defensive back. “I was crazy fast,” he says. “I ran good routes, and I had good hands. I didn’t drop passes!”
Our gallery was updated with digital scans of Cinema Teaser‘s May issue, featuring The Nice Guys. Whilst the whole issue is focused on the main actors/characters, there’s a very nice new promotional image of Matt. I’ve uploaded the whole feature, so you can enjoy it!
The Nice Guys is featured on current “Summer Movie Preview” issue of Entertainment Weekly magazine, currently on stands. On the issue Russell Crowe talks about one particular scene he shot with Matt.
When Crowe and Bomer came to film a particularly physical scene, the Oscar winner calmed the younger actor’s nerves by making fun of his performance in a certain film about male strippers. “I had to strangle him at one point,” says Crowe. “I could tell Matt was a little bit tense, and I’m putting my hands around his throat, and just that milisecond before Shane called ‘Action!’ I just said ‘This one’s for Magic Mike!’ It made him relax, and we got on with the rest of the day’s work.”
Check the digital scans added in our gallery.
The Nice Guys is out next May 20.
Our gallery was updated with digital scans of V Magazine (V99), the Lady Gaga guest editor issue, featuring AHS: Hotel cast.
Lady Gaga it’s the guest editor of V Magazine’s V99, bringing to the current issue 16 different covers, dedicating each of the 16 to the creators, collectors and collaborators who have inspired her life and fame. One of the covers is dedicated to her friends from American Horror Story: Hotel, and the thematic shoot is made by Chadwick Tyler.
On the editorial, she talked about how the shoot was created:
So, what I did here was: my friend Chadwick photographed us and set us up inside a house that we rented and it was like a true American horror story. A slum of America. We didn’t pose or anything. We improv’d for, like, five hours. We just created characters and performed in the space. It was based partly on A Streetcar Named Desire, but loosely, and we each created our own space within the story. It was just a beautiful day and we took these beautiful photos. So, [most of the cast from American Horror Story: Hotel]: Kathy Bates, Wes Bentley, Chloë Sevigny, Finn Wittrock, Cheyenne Jackson, Angela Bassett, Matt Bomer, and Denis O’Hare. I just asked that everyone forget that the cameras were there, period, and just be there together. And that Chadwick was really documenting it while we were doing a live piece. We spent some time talking about it in our trailers outside, and when we went inside we kind of fell into it. It was amazing how it happened. Everybody reacted differently to it. I asked them all to improv on their day off. Not everyone was super stoked right away. I had to work them into it and explain it to them, and once we got in there, everybody came together and it happened so naturally and easily and these beautiful photos happened.
The issue will hit newstands next January 14 and you will find scans here as soon it’s available.